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«I - Catálogos y plegables Entreactos: Situaciones Breves: Un Obra de Liliana Porter. Buenos Aires: Universidad Torcuato di Tella, 2014. Malosetti ...»

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BIBLIOGRAFÍA selecta – LILIANA PORTER

I - Catálogos y plegables

Entreactos: Situaciones Breves: Un Obra de Liliana Porter. Buenos Aires: Universidad

Torcuato di Tella, 2014.

Malosetti Costa, Laura. Yo, Nosotros, El Arte. Buenos Aires: Fundación OSDE, 2014.

Practicas Globales Arte de Latinoamerica en la Colección Ella Fontanals-Cisneros.

Miami: Cisneros Fontanals Fundacion, 2013.

Neves, Manuel. Arte Latinoamericano Colección MNAV. Montevideo: Museo Nacional Artes Visuales, 2013, p65.

Speranza, Graciela. Liliana Porter: El hombre con el hacha y otras situaciones breves. Buenos Aires: Fundacion Eduardo F. Constantini, 2013.

Montgomery, Harper y Amelia Kutschbach, con Major, Rebecca. “A Conversation with Liliana Porter”. Open Work in Latin America, New York, & Beyond – Conceptualism Reconsidered 1967 - 1978. Nueva York: Hunter City University of New York and Fundacion Cisneros, 2013: 40-41, 50.

Encuentro y Dialogo: Colecciones de Artes Visuales del Parlamento y del Gobierno de Extremadura. Badajoz: Gobierno y Parlamento de Extremadura, 2013: 145.

Atrabiliario: XI Bienal de Cuenca. Cuenca: Fundacion Municipal Bienal de Cuenca, 2012, 81-83.

Perlein, Gilbert. Paper. Nice: Musee d’Art Moderne et d’art contemporain, 2012:

96-99.

Comesaña, Hortensia Campanella and Natasha Pons Majmut. Conejo que levita y otros obras recientes – Liliana Porter. Santiago: Centro Cultural de España, 2012.

Schultz, Christopher con Gavin Delahunty. Alice in Wonderland Through the Visual Arts. London: Tate Liverpool, 2011: 167.

Valli, Marc y Margherita Dessanay. Microworlds. London: Laurence King Publishing, 2011: 4, 94-101.

Cullen, Deborah, con texto de Ursula Davilla-Villa: “The Anatomy of

Collaboration”. Trienal Poli/Grafica de San Juan / El Panal – The Hive. San Juan:

Instituto de Cultura Puertorriquena, 2012, 112, 216-223.

Mosquera, Gerardo. Face Contact Beijing. Beijing: Iberia Center for Contemporary Art, 2012: 38, 45, 68.

Buccellato, Laura. Museo de Arte Moderno de Buenos Aires – Patrimonio.

Buenos Aires: Museo De Art Moderno, 2011: 81, 205, 242.

Montejo Navas, Adolfo, con essays de Gerardo Mosquero y Mari Carmen

Ramirez. Liliana Porter: The Enemy e Outros Olhares Obliques. Sao Paulo:

Luciana Brito Galeria, 2011.

Mosquera, Gerardo. Face Contact. Madrid: PhotoEspana, 2011: 38, 45, 68.

Madrid, Carlos. Observatori 2011 – 12 Festival Internacional de Investigacion Artistica de Valencia. Valencia: 2011: 59.

Vicario, Gilbert, con essays de Mari Carmen Ramirez y Elizabeth Cerejido.

Cosmopolitan Routes – Houston Collects Latin American Art. Houston: Museum of Fine Arts, Houston, 2011.

Cano, Gabriela. La Experiencia Intelectual De Las Mujeres En El Siglo XXI. Mexico D.F.: Conaculta, 2011.

McFadden, David Revere. Otherworldly. New York: Musuem of Art and Deisgn, 2010: 201-206.

Alonso, Rodrigo. “Intervista a Liliana Porter.” Magnet: New York, Argentine Art from the ‘60s. Buenos Aires: Fundación PROA, 2010: 220-221, plus plates.

Moore, Richard, Ed. Casa Abierto / Open House 2010 – Argentine Contemporary Art Exhbition. London: Argentine Embassy, 2010.

Van Den Valentyn, Heike. “Alice in the Cities.” Larger than Life, Stranger Than Fiction, 11 Triennale Kleinplastik, Fellbach. Stadt Fellbach, Snoeck, 2010: 189-191, 303.

--- 7th Bienal do Mercosul. Porto Alegre: Fundacao Bienal do Mercosul, 2010:

89,388, 433.

Adler, Phoebe, and Tom Howells, Nikolaos Kotsopoulos, eds. Contemporary Art in Latin America. London, UK: Black Dog Publishing, 2010: 154-155.

Castellanos, Alejandro. “Memory and Irony: Contemporary Photography in Latin America.” Changing the Focus – Latin American Photography 1990-2005. Brea, CA: Musuem of Latin American Art, 2010: 32-38, 114-115.

Idurre, Alonso. “From Documenting the Surrounding Environment to Constructing an Artifical Reality.” Changing the Focus – Latin American Photography 1990Brea, CA: Musuem of Latin American Art, 2010: 15-31, 114-115.

Steffen, Katrin y Domingo Eduardo Ramos. Al Calor del Pensamiento – Obras de La Daros Latinamerica Collection. Madrid, España: Fundacion Banco Santander, 2010: 134-147.

Bardier, Laura. “Los Impoliticos.” Q|04 Centro di Documentazione. Naples, Italy:

Palazzo delle Arti Napoli, 2010.

Perazzo, Nelly. “Arte Efimero”. Temas de la Academia: Lo Efimero en el Arte Contemporaneo. Buenos Aires: Academia Nacional de Bellas Artes, 2009: 55-60.

Gonzalez-Vera, Francisco, ed. Mujer Arte y Compromiso. Santiago: Museo de La Solidaridad Salvador Allende, 2009, 41.

Ostrander, Tobias. “Línea de Tiempo”. Liliana Porter: Línea de Tiempo. México, DF: Museo de Arte Contemporaneo International Rufino Tamayo, 2009: 33-36 & 47-49.

Volk, Gregory. “Five Sections for Liliana Porter”. Liliana Porter: Linea de Tiempo.

México, DF: Museo de Arte Contemporaneo International Rufino Tamayo, 2009:

39-45 & 51-56.

Adams, Beverly. “The School of the North – The New York Graphic Workshop in

New York, 1964-1970.” The New York Graphic Workshop, 1964-1970. Austin, TX:





Blanton Museum of Art, 2009: 18-29.

Dolinka, Sylvia. “To Develop Images from Thoughts – the South American Travels of the New York Graphic Workshop.” The New York Graphic Workshop, 1964Austin, TX: Blanton Museum of Art, 2009: 30-41.

Giunta, Andrea. “A Conversation with Liliana Porter and Luis Camnitzer”. The New York Graphic Workshop, 1964-1970. Austin, TX: Blanton Museum of Art, 2009: 42-57.

Pietropaolo, Francesca and Robert Storr. “Confines Del Tiempo: Arrugas en el tiempo/ imagenes ilimitadas”. Valencia 09/ Confines. IVAM Institut Valencia d’Art Modern, Valencia, 2009: 127-159.

Carlos, Isabel. “Sharjah Biennial 9”. Provisions catalogue. Sharjah, United Arab Emirates, Marzo-May 2009 : 224, 225, 386-392

---. Toll MVD 2008-2009. Montevideo, Uruguay: Toll Gallery, 2009: 53.

Pacheco, Marcelo E. “Escuelismo, Arte Argentino de los 90.” Escuelismo Arte de los 90. Buenos Aires, Argentina: Malba, 2009: 11-13, 23-25, 70-71, 89-91.

Wolf, Alana. “Constructing an Imagined Reality.” Liliana Porter. Gainesville:

Brenau University: 2009.

Smith, Terri C. “Beyond the Picture”. Levitating Rabbit – Liliana Porter. Hudson, NY: Leo Fortuna Gallery, 2008.

Blondet, Jose Luis. “Una Rosa Son Dos Rosas Son Dos Rosas Son Dos Rosas”. To See Blue. Galeria Brito Cimino, San Paolo, Brasil. Agosto- Setiembre, 2008

---. Machete, Anuario de Arte Contemporáneo Argentino. Buenos Aires:

Machete, 2008: 55-56.

Cesarco, Alejandro- Perez Barreiro, Gabriel. “Conversas”. 6a. Bienla do MERCOSUL. Porto Alegre- Brasil: Fundacion Bienal do MERCOSUL, 2007: 109-117.

Hazal, Carla M. “Contemporay cool and collected”. Charlotte, NC: The Mint Museums, 2007: 118- 119.

Popp, Lauren. “TRANSactions”. Contemporary, Latin American and Latino Art. La Jolla, Ca: Museum of Contemporary Art San Diego, 2007:100- 101.

Baler, Pablo. “Conversations on Sculpture” The Subconscious of Civilization:

Liliana Porter, 2001. Hamilton, NJ: Edited by Glenn Harper and Twylene Moyer, 2007: 58-65 MacMullin, Cynthia. “pop art/neo pop art”. The American/ Latin American

Discourse. LA presencia, latinamerican art in the united states. Long Beach, CA:

molaa- museum of latinamerican art, 2007: 44- 57.

Tiscornia, Ana. “La spiegazione. Intervista a Liliana Porter”. Liliana Porter.

Valentina Bonomo Roma, Italia. Mayo- Setiembre. 2007 Bonito Oliva, Achile. “Il gioco e fatto/ The game’s on”. Revello Festival: Electa Napoli, Italia, 2006 Huizi, Maria Elena. “Liliana Porter’s Theater of Memory” Liliana Porter, Red With Eagle. Houston, Texas: Sicardi Gallery, 2006.

Pérez-Barreiro, Gabriel. “Art is Journey: Travels with Gabriel” Articulate: The Blanton Museum of Art Magazine. Winter 2006: 10-11.

----. Blanton Museum of Art Guide to the Collection. Austin: Blanton Museum of Art, University of Texas, 2006: 238.

Cuperman, Pedro. Intersections: The Art of Liliana Porter and Ana Tiscornia.

New York, Syracuse: The Point of Contact Gallery, 2006.

Moreno, Gean. “Liliana Porter.” Collection Remixed. Bronx: Bronx Museum of the Arts, 2005: 99-100.

Graphica Creativa ’05. 30 Years Anniversary Exhibition-11th International Print Triennial. Jyvaskyla, Finland: Jyvaskyla Art Museum, 2005: 28-29.

Wilkes Tucker, Anne. Documenting Poetry: Contemporary Latin American Photography. Lynchburg, Virginia: Maier Museum of Art, 2005.

Byrd, Cathy. The mystery of the little black shoes. Ficciones y otras realidades:

Liliana Porter y Ana Tiscornia. Georgia, Atlanta: Georgia State University, 2005.

Purcell, Marilú. “Liliana Porter: Raros encuentros.” Deer/dear y otros encuentros raros. San Juan, Puerto Rico: Galería Petrus, 2005.

Blondet, José Luis. Ellos y algunos otros. Buenos Aires: Galería Ruth Benzacar, 2005.

Coppiano, Giannina. Corporal. Contemporary Women Artists from Latin America. Boca Raton, Florida: Florida Atlantic University, 2004.

Tiscornia, Ana. “Un conejo que se escapa: Entrevista a Liliana Porter.” Liliana Porter. Fotografía y Ficción. Buenos Aires: Centro Cultural Recoleta, 2004: 55 – 71. (also printed Arte:05, Abril 2004: 6-14.) Mac Donnel, Mercedes. “El suicidio de la esfinge: Literatura, sueno y enigma en

las fotografías de Liliana Porter.” Liliana Porter. Fotografía y Ficción. Buenos Aires:

Centro Cultual Recoleta, 2004: 48 -45.

Rangel, Gabriela. “Parodia de tiza caucasiana.”Liliana Porter. Fotografía y Ficción. Buenos Aires: Centro Cultual Recoleta, 2004: 46 – 53.

Katzenstein, Inés, Ed. “Liliana Porter. Fotografía y Ficción.” Liliana Porter.

Fotografía y Ficción. Buenos Aires: Centro Cultual Recoleta, 2004: 19 -37. [This volume includes four new essays on Porter, along with an anthology of critical texts on the artist / El catálogo incluye una antología critica sobre la obra de Porter, además de cuatro nuevos ensayos] Pérez Ratton, Virigina. Liliana Porter: Una puesta en imágenes. San José, Costa Rica: Teorética, 2003: 11-15.

Tejeda, Isabel. “Pintando las rosas en el jardín de la reina.” Liliana Porter:

situaciones y diálogos. Murcia, España: Consejería de Educación y Cultura, 2004: 37-49.

Castro Flórez, Fernando. “[Ni] idea de la prosa (china)”. Liliana Porter:

situaciones y diálogos. Murcia, España: Consejería de Educación y Cultura, 2004: 7 -34.

Adams, Beverly. “Liliana Porter.” Phoenix Art Museum Collection Highlights.

Phoenix: Phoenix Art Museum, 2003: 273.

Wonder, Carolina. Fourtell. Miami: Casas Reigner Gallery, 2003.

Dunbar, Elizabeth. Not so Cute & Cuddly: Dolls and Stuffed Toys in Contemporary Art. Wichita, Kansas: Ulrich Museum of Art, 2003.

Hartup, Cheryl. Visual Poetics: Art and the Word. Miami: Miami Art Museum, 2003

----. Como Si Nada – Colección Juan Redon. Fundacio Foto Colectania, Barcelona: 2003: 80-81.

Rayuela/ Hopscotch: Fifteen Contemporary Latin American Artists. Pennsylvania:

The University of Scranton and Marywood University, 2002.

Angel, Félix. Latin American Graphics: The Evolution of Identity from the Mythical to the Personal. Long Beach, California: Museum of Latin American Art, 2002.

Katzenstein, Inés. “El abismo entre la piedra y la línea.” 3º. Bienal Iberoamericana de Lima. Lima: Centro de Artes Visuales, Municipalidad Metropolitana de Lima, 2002: 176.

Arestizábal, Irma. Globalización, nomadismo, identidades. Cuenca, Ecuador:

VII Bienal Internacional de Cuenca, Representación Argentina, 2001.

Barenblit, Ferrán. Ironía. Barcelona: Fundación Miró, 2001.

Castro Flórez, Fernando. The Quoted ‘Wor(l)d’ of Liliana Porter. Houston: Sicardi Gallery, 2000.

Grinstein, Eva. Solo de tambor. Buenos Aires: Ruth Benzacar Galería de Arte, 2000.

Martín, Alberto. “Liliana Porter: Diálogos y Monólogos.” Liliana Porter: Diálogo chino. Murcia: Galería Espacio Mínimo, 2000. Texto re-editado en el catálogo Liliana Porter. Fotografía y Ficción, 2003: 171.

Mosquera, Gerardo. “Liliana Porter.” Territorios ausentes / Absent territories.

Madrid: Casa de América, 2000: 108 – 111.

Tiscornia, Ana. “Liliana Porter para usted.” Imago ‘99: Encuentros de Fotografía y Video. Salamanca: Ediciones Universidad de Salamanca, Centro de Fotografía, 1999: 83-86.

Weber, Paolina. “Liliana Porter.” ‘For You’ by Liliana Porter. New York: Annina Nosei Gallery, 1999.

Peluffo, Gabriel. “Los objetos que ruegan.” Liliana Porter. Diálogos. Montevideo:

Museo Municipal de Bellas Artes Juan Manuel Blanes, 1997. Publicado en inglés:

“The Begging Objects.” The Garden of Forking Paths. Copenhagen:

Kustforeningen, 1998: 110 – 115. Texto re-editado en el catálogo Liliana Porter.

Fotografía y Ficción, 2003: 167-169.

Pindell, Howardina. “A Conversation with Liliana Porter.” Liliana Porter: Arte Poética, A Selection of Works from 1968 to 1997. Stony Brook: State University of New York at Stony Brook, 1998.

Herkenkoff, Paulo. ‘Autonomous Doodles, Verbal Scrawls and Erasures on

Drawing in South America.” En: Ramírez, Mari Carmen, ed. Re-Aligning Vision:

Alternative Currents in South American Drawing. Austin: Archer M. Huntington Art Gallery, The University of Texas at Austin, 1997.

Mosquera, Gerardo. “Shaking Hands with Mickey: Liliana Porter/ Dándole la mano a Mickey.” Liliana Porter: Photographs. New York: New York Foundation for the Arts, Monique Knowlton Gallery, and Galería Ruth Benzacar, 1996.

Publicado luego en Third Text [London] [42] spring 1998: 71-77. Publicado posteriormente en español “ Liliana Porter: Dándole la mano a Mickey” en la revista Lápiz [Madrid] [130] Marzo 1997: 73 – 77. Texto re-editado en el catálogo Liliana Porter. Fotografía y Ficción, 2003: 159 – 165.



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