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«EDUCATION: 1988, Ph.D., University of Virginia 1982, M.A., University of Virginia 1979, B.A., University of Kansas (Political Science, Honors in ...»

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Ann L. Ardis 125 Delrem Drive

Associate Dean, Arts and Humanities Newark, Delaware 19711

Professor of English (302) 738-0497

College of Arts and Sciences

University of Delaware

4 Kent Way

Newark, DE 19716

302. 831. 2793 (office)

302. 738. 0487 (home)



1988, Ph.D., University of Virginia

1982, M.A., University of Virginia 1979, B.A., University of Kansas (Political Science, Honors in English)


1989-- University of Delaware, Professor, 2002-Associate Professor of English, 1993-2002 Assistant Professor of English, 1989-1993 1987-1989 Miami University of Ohio, Assistant Professor of English (tenure-track)


2002- Associate Dean, College of Arts and Sciences 1998-2002 Director, University Honors Program 1994-1998 Director, Graduate Studies in English


2007 Co-coordinator (with Patrick Collier), Transatlantic Print Culture, 1880-1940:

Emerging Media, Emerging Modernisms Symposium, April 27-28. 28 invited speakers, 75+ attendees.

Co-coordinator (with Bonnie Kime Scott), 9th Annual Virginia Woolf Conference, June 10-13, 1999. 250+ participants.


2009 College of Arts and Sciences’ Excellence in Scholarship Award UNIDEL Foundation Award for the establishment of a Humanities Research Institute,

2009. PI for College of Arts and Sciences. ($200,000) UNIDEL Foundation award in support of the Arts and Humanities Summer Institute for graduate minority recruitment, 2009. Co-PI. ($100,000) Social Science Research Council proposal for a Dissertation Proposal Development Fellowship (DPPF) program grant for early-stage Ph.D. students in modern periodical studies. Not funded in 2007, but invited to reapply.

Fellow, Advanced ITUE/Pathways Institute, January 2001 Pathways to Discovery Course Development Grant, 2000 ($20,000) Center for Teaching Effectiveness Grant, 1998 ($6,000) Fellow, Institute for the Transformation of Undergraduate Education, 1998 Center for Teaching Effectiveness Grant, 1996 ($6,000) NEH Summer Stipend, 1994 ($6,000) General University Research Grant, University of Delaware, 1990 ($6,000) Feminist Pedagogy Workshop, Miami University, 1988 Summer Research Grant, Miami University, 1988 Dissertation Fellowship, University of Virginia, 1986-87 A.A.U.W. Dissertation Fellowship, 1985-86 Governor's Fellowship, University of Virginia, 1981-82



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ANTHOLOGY: Women’s ‘Experience’ of Modernity, 1875-1945. Co-edited with Leslie Lewis. Johns Hopkins University Press, 2002. vii + 312 pp.

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+ Profession article “T. S. Eliot and Something Called ‘Modernism.’” A Companion to T. S. Eliot. Ed. David Chinitz.

Blackwell, 2009. 6,000-word typescript.

“Modernism and Democracy: A. R. Orage and The New Age (1908-1922).” The Oxford Critical and Cultural History of Modernist Magazines. Ed. Andrew Thacker and Peter Brooker.

Forthcoming, Oxford University Press. 2009. 205-225.

“The Dialogics of Modernism(s) in the New Age.” Modernism/Modernity 14.3 (Fall 2007): 407Landscape for a New Woman.” with Teresa Mangum and Sally Mitchell. “The New Woman’s Work: Past, Present, and Future.” Nineteenth-Century Gender Studies. 3.2 (Summer 2007). August 26, 2007. http://www.ncgsjournal.com/issue32/roundtable.htm.

with Teresa Mangum and Sally Mitchell. “The New Woman’s Work: Past, Present, and Future.” Nineteenth-Century Gender Studies. 3.2 (Summer 2007). August 26, 2007.


“E. M. Forster and Italy.” The Cambridge Companion to E. M. Forster. Ed. David Bradshaw.

Cambridge University Press, 2007. 62-76.

“Debating Feminism, Modernism, Socialism: Beatrice Hastings’s Voices in The New Age.” The Gender Complex of Modernism. Ed Bonnie Kime Scott. University of Illinois Press, 2007. 160-85.

"Political 'Correctness' vs. Attentiveness: Teaching Pat Barker's Blow Your House Down.” Critical Perspectives on Pat Barker. Ed. Sharon Monteith, Margaretta Jolly, Nahem Yousaf, and Ronald Paul. University of South Carolina Press, 2005. 14-23. Invited update of an article first published in College Literature. [1991] “The Gender of Modernity.” The Cambridge History of Twentieth-Century Literature. Ed. Laura Marcus and Peter Nicholls. Cambridge University Press, 2004. 61-83.

“Oscar Wilde’s Legacies to Clarion and New Age Socialist Aestheticism.” Wilde Writings:

Contextual Conditions. Ed. Joseph Bristow. University of Toronto Press, 2003. 275-94.

“New Women and the New Hellenism.” The New Woman in Fiction and Fact. Ed. Chris Willis and Angelique Richardson. Palgrave, 2001. 107-122.

“Delimiting Modernism and the Literary Field: D. H. Lawrence and The Lost Girl.” Outside Modernism: In Pursuit of the English Novel, 1900-30. Ed. Nancy Paxton and Lynne Hapgood. Macmillan/St. Martin’s, 2000. 123-144.

“Netta Syrett's Aestheticization of Everyday Life: Countering the 'Counterdiscourse' of Aestheticism.” New Approaches to British Aestheticism. Ed. Talia Schaffer and Kathy Psomiades. University of Virginia Press, 1999. 233-250.

“Organizing Women: New Woman Writers, New Woman Readers, and Movement Feminism.” Victorian Women Writers and the Woman Question. Ed. Nicola Thompson. Cambridge University Press, 1999. 189-203.

“E. M. Hull, Mass Market Romance and the New Woman Novel in the Early Twentieth Century.” Women's Writing 3.3 (Autumn 1996): 287-296.

“Reading ‘as a Modernist’/De-naturalizing Modernist Reading Protocols: Wyndham Lewis's Tarr.” Rereading Modernism: New Directions in Feminist Criticism. Ed. Lisa Rado.

Garland Press, 1994. 373-390.

“Shakespeare and Mrs. Grundy: Modernizing Literary Value in the 1890s.” Transforming Genres: New Approaches to British Fiction in the 1890s. Ed. Meri-Jane Rochelson and Nikki Lee Manos. St. Martins Press, 1994. 1-20.

“Ada Nield Chew.” Dictionary of National Biography: British Short Fiction Writers, 1880Ed. William Thesing. Gale Research Co., 1994. 47-52.

“Toward a Redefinition of Experimental Writing: Netta Syrett's Realism, 1908-1912.” Famous Last Words: Women Against Novelistic Endings. Ed. Alison Booth. University of Virginia Press, 1993. 259-279.

“‘The Journey From Fantasy to Politics': Representations of Socialism in Novels by Florence Dixie and Gertrude Dix.” Rediscovering Forgotten Radicals: British Women Writers 1889-1939. Ed. Angela Ingram and Daphne Patai. University of North Carolina Press, 1993. 43-56.

“Presence of Mind, Presence of Body: Embodying Positionality in the Classroom.” Hypatia 7, 2 (1992): 167-176.

“Political ‘Correctness’ vs. Attentiveness: Teaching Pat Barker's Blow Your House Down.” College Literature 18, 3 (1991): 44-54.

with Dale Bauer. “‘Just The Fax, Ma’am’: Male Sentimentality in the Die Hard Films.” Arizona Quarterly 47, 2 (1991): 117-129.

“‘Retreat with Honour’: Mary Cholmondeley’s Presentation of the New Woman Artist in Red Pottage.” Writing the Woman Artist: Presentations and Self-Presentations. Ed. Suzanne Jones. Philadelphia: University of Pennsylvania Press, 1991. 333-352.

“Beatrice Webb's Romance with Ethnography.”Women's Studies 18, 2/3 (Fall 1990): 1-15.

“But Is Teaching in a Feminist Classroom Enough?” Critical Exchange 25 (Spring 1988), 50-52.


Review of Lucy Delap, The Feminist Avant-Garde: Transatlantic Encounters of the Early Twentieth Century. Forthcoming, Modernism/Modernity. 4-page typescript.

Review of Robert Scholes, Paradoxy of Modernism. James Joyce Quarterly 44.3 (2007): 607-10.

Review of Martha H. Patterson, Beyond the Gibson Girl: Reimagining the American New Woman 1895-1915. Modernism/Modernity 14. 1 (Spring 2007): 168-9.

Review of Lisa Surridge, Bleak Houses: Marital Violence in Victorian Fiction, NineteenthCentury Literature. 61.3 (December 2006): 381-4.

Review of Morag Shiach, Modernism, Labour and Selfhood in British Literature and Culture, 1890-1930, Modern Philology 103.4 (May 2006): 585-9.

Review of Marysa DeMoor, ed. Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880-1930, Clio: An Interdisciplinary Nineteenth-Century Studies Journal 35, 1 (Fall 2005): 121-5.

Review of Sean Latham, Am I a Snob? Modernism and the Novel. James Joyce Quarterly, 41. 3 (Spring 2004 [published Spring 2006]): 570-6.

Review of Angelique Richardson, Love and Eugenics in the Late Nineteenth Century: Rational Reproduction and the New Woman, Victorian Studies 46.4 (Summer 2004): 706-7.

Review of Maggie Humm, Modernist Women and Visual Cultures: Virginia Woolf, Vanessa Bell, Photography and Cinema, Novel (2004).

Review of Ann Heilmann, New Woman Fiction: Women Writing First-Wave Feminism and Carolyn Burdett, Olive Schreiner and the Progress of Feminism: Evolution, Gender, Empire, Journal of Victorian Culture (2003).

Review of Susan Stanford Friedman, ed., Analyzing Freud: Letters of H.D., Bryher, and Their Circle, Tulsa Studies in Women’s Literature, 22, 2 (Fall 2003): 409-11.

“Modernizing the Female Subject,” Review of Impressionist Subjects: Gender, Interiority, and Modernist Fiction in England by Tamar Katz, Novel, 34, 1 (Fall 2000): 134-5.

Review of Bette London’s Writing Double: Women’s Literary Partnerships, Tulsa Studies in Women’s Literature, 19. 2 (Fall 2000): 347-348.

Review of Claudia Nelson and Ann Sumner Holmes’ Maternal Instincts: Visions of Motherhood and Sexuality in Britain, 1875-1925, Victorian Studies, 42.3 (Spring 1999/2000): 499Review of Christopher Parker's Gender Roles and Sexuality in Victorian Literature, NineteenthCentury Contexts, 22 (1999): 139-146.

Review of Nicola Diane Thompson’s Reviewing Sex: Gender and the Reception of Victorian Novels, Victorian Studies, 42, 1 (Autumn 1998/1999): 178-180.

Review of Carolyn Christensen Nelson’s British Women Writers of the 1890s, Victorian Studies, 41, 2 (Winter 1998): 293-295.

Review of Gill Plain's Women's Fiction of the Second World War and Joan Montgomery Pyle's War, Women, and Poetry, 1914-1945, Tulsa Studies in Women's Literature, 17. 2 (Fall 1998): 385-387.

Review of Judy Little’s The Experimental Self: Dialogic Subjectivity in Woolf, Pym, and Brooke-Rose, English Literature in Transition 41.1 (1998): 241-243.

"Modernity's Gender: Rita Felski's The Gender of Modernity," Novel, 30, No. 2 (Winter 1997):


Review of Rita Kranidis's Subversive Discourse: The Cultural Production of Late Victorian Novels, Victorian Studies 40.1 (Fall 1996): 149-150.

"Modernism's Secret Past: Engendering Fictions: The English Novel in the Early Twentieth Century, by Lyn Pykett," Novel 29, No. 3 (Spring 1996): 391-392.

Review of Laura Doyle's Bordering on the Body, Sandra Gilbert and Susan Gubar's No Man's Land: Letters from the Front, and Michael North's The Dialect of Modernism, Tulsa Studies in Women's Literature 14, No. 3 (Fall 1995): 363-369.

[Solicited for reprinting in Contemporary Literary Criticism Vol. 145, ed. Jeff Hunter (Gale Group, 2001).] Review of Eileen Sypher's Wisps of Violence, Victorian Studies (Summer 1995): 81-83.

Review of Lyn Pykett's The 'Improper' Feminine and Suzanne Clark's Sentimental Modernism, Tulsa Studies in Women's Literature, 13, No.1 (Spring 1994), 186-189.

Review of Claire Buck's H.D. and Freud: Bisexuality and a Feminine Discourse, Marianne DeKoven's Rich and Strange: Gender, History, Modernism, Susan Stanford Friedman's Penelope's Web: Gender, Modernity, H.D.'s Fiction, and Donna Krolik Hollenberg's H.D.: The Poetics of Childbirth and Creativity, Tulsa Studies in Women's Literature, 12, No.1 (Spring 1993), 122-128.

“H.D.’s Other Discourse.” Review of Susan Stanford Freidman’s Penelope’s Web: Gender, Modernity, and H.D.’s Fiction. Novel 26.3 (Spring 1993): 328-329.


Invited Keynote, “Middlebrow Cultures,” University of Strathclyde, Glasgow, UK, July 2008.

"Affirmative Activism in English and the Modern Languages," a roundtable organized by Paula Krebs and the Group for Underrepresented Students in Humanities Education and Research, Modern Language Association, San Francisco, CA, December 2008.

Organizer and panelist, “African-American Periodicals and the Public Sphere, 1880-1930,” Modernist Studies Association, Nashville, Tennessee, November 2008.

“Positioning The Crisis in Transatlantic Print Culture,” American Studies Association, Albuquerque, NM, October 2008.

"Before the 'Great Divide[s]': 'Periodical Communities' and the Public Sphere, 1880-1922,” Transatlantic Print Culture: Emerging Media, Emerging Modernisms, 1880-1940, University of Delaware, April 2007.

Invited Keynote Roundtable on “The New Woman” (with Sally Mitchell and Teresa Mangum), British Women Writers Conference, University of Kentucky, April 2007.

“Projects in Modern Periodical Studies,” Invited moderator of a roundtable organized by Robert Scholes, Modernist Studies Association, Tulsa, OK, October 2006.

Chair, "Annotating Modernist Texts: New Material Approaches in Modernist Studies," Modernist Studies Association, Tulsa, OK, October 2006.

“Robert Blatchford’s Julie, The Clarion, and the Socialist Project of Cultural Uplift through Music,” Research Society for Victorian Periodicals, CUNY, September, 2006.

Invited Respondent, “New Work on Female Aesthetes,” Modern Language Association, Washington, D.C., December 2005.

Organizer (with Patrick Collier), “Roundtable: Modernism Beyond the Little Magazines,” Modernist Studies Association, Chicago, IL, October 2005.

Invited Seminar Leader, “T. S. Eliot In/On ‘Modern’ Culture,” T. S. Eliot Society, St. Louis, MO, September 2005.

“Modernism in The New Age: Promoting/Protesting an Emergent Aesthetic,” Society for the Study of Narrative Literature, Louisville, KY, April 2005.

“The New Age’s ‘Quarrels’ with Modernism,” Modernist Studies Association, Vancouver, CA, November 2004.

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